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Plain Review

Our Top Record of 2025: Rosalía's Lux Takes the Number One Place.

At first glance, Lux might appear more like a challenging university quiz than the latest pop project from an artist whose last single was a collaboration with a global pop star. Split across four separate parts and sung in thirteen languages, it is a dizzying symphonic work that delves into feminine mystique, spiritual transcendence, and bodily change, often through the lens of different female saints. The end of a love affair—a theme treated with raw openness elsewhere—soars upwards here, buoyed by the constant presence of a full orchestra and contributions from a Pulitzer-winning composer within a vast roll call of contributors. Its sheer audacity by itself makes the work of other pop stars appear rather laughable.

Transcending Academic Pretense

The fact that this album succeeds in transcend overly intellectual chin-stroking feels almost miraculous, and sole credit going to the artist. Although this is not her first album to blend the past and the present, the scale are much higher on Lux, with the balancing act far more precarious. What truly elevates this fourth release, outside of its complex melodies, dense compositions, and engrained drama, is an essential spirit of joy. Much like the iconic artist at her peak, there is a wondrous quality to Rosalía's voice which sweeps you up in its tornado. When she's breaking hearts in two, you nevertheless desire to be right there for the journey.

A Signature Example of Exuberance

This exuberant spirit comes forth brightly on a stunning piano-led ballad about Saint Clare. It luxuriates in a string-drenched melancholy over several moments. Then, all the music drops away, and we hear a spontaneous giggle and a declaration prior to a comically over-the-top orchestral crescendo thuds down like comedic force. The track immediately shifts into the frenetic track featuring racing orchestration, a powerful choir, and a surprise role from the artist herself.

"The charm with this album is that you never exactly understand—nor want to predict—what you will go next."

Almost each song finishes at a totally different place than how it began. One moment explores the fleeting nature of fame over a featherlight orchestration before collapsing in electronic cacophony. Another, a cut echoing the artist's previous trap-infused work starts out moody and sinister, featuring prowling beats, before sudden traditional rhythms and a heavenly chorus enter to soften its rough corners.

The Balance Of Experiment and Accessibility

A key balancing act on the album is straddling the line between radical innovation and broad appeal. This is little coincidence that the album has achieved her highest-charting work to crack the Top 5 of major charts: its heart contains a suite of utterly undeniable pop songs. One track sung entirely in the English language swells around a chorus that seems to gather increasingly nagging melodies while it spins upward. That feat gets repeated on another powerful ballad that expands and contracts, intertwining multiple tunes as an intricate tapestry.

  • A waltz-like number charms with its jaunty, theatrical drama and an anthemic chorus.
  • In its words, it aligns with pop culture honesty of contemporary heartbreak songs, eviscerating a former partner labeled an "psychological bully".
  • Across the album, the singing carry a sharp edge, like a storybook character concealing a knife: "Top prize in acting like a scoundrel / You have won the trophy of letdown."

An Opulent Feast for the Soul

Lux is popular music on a maximalist scale, a hungry grasp for high Art in an era of impending artificial sameness. It rejects solipsism in favor of sublime transcendence, creating an over-the-top drama that masterfully controls its built-in ridiculousness. This is a deep well of hidden treasure that takes patience to fully mine but never seem like a chore. While other major releases of 2025 seemed like a meager scraps, this record offers a sumptuous banquet where the guests at it, some tipsy on holy wine, flutter between conversations about historical figures, the galvanizing feeling of heartbreaking sadness, and shared gossip about hopeless partners. It is a contemporary musical from music's truly restlessly creative visionary.

About the author

Christopher Robinson

Maya is a tech journalist and entrepreneur with over a decade of experience covering digital innovations and startup culture.

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